6x6 (10. 498)

trattoria: the invention of Fettuccine Alfredo—a labour of love  

masstransiscope: a zoetrope to be enjoyed at speed by NYC subway passengers—see also  

chuco헐sol: the need for new weather words to reflect living through the climate catastrophe  

break five: a comprehensive guide to celebrating the Lunar New Year on mainland China—via tmn  

boogaloo in apartment 41: the musical stylings of Ozzie Torrens and his Exciting Orchestra  

melts in your mouth: M&Ms spokescandies finally forced into retreat by conservative pundits

money to burn (10. 497)

Once seized as the counterfeiting scheme of a mysterious Frenchman, Public Domain Review contributor Dorinda Evans reassesses the hyperrealistic paintings of Victor Dubreuil of US paper currency as a social critique of capitalism and exploitative working practises at a time when few were openly questioning the status quo. These still lives with dollars and trompe l’oeil paintings of legal tender enjoyed some contemporary popularity in addition to scrutiny by the US for the starving artist but most missed the anti-imperialism, anti-kleptocractic allegory of Dubreuil. Find a whole gallery of his works at the link above.

beta-testing (10.496)

In an attempt to pre-empt some of the legal and ethical concerns in a field fraught with promise, disappointment and unchecked acceleration that our present concessions to copyright and IP are not fit for, stock picture clearing house Shutterstock has partnered with a suit of text-to-art artificial intelligences to offer clients with existing licensing packages access to a limited dataset used to train the generative AI, promising to compensate artists, photographers, models (contributors) whose work was skimmed, studied. Shutterstock also includes the unenforceable catch-all caveat that generated images must not be used to infringe or misappropriate intellectual property or otherwise generate false, deceptive or misleading imagery—which we can’t whether or not divides the onus and responsibility between publisher and patron.

8x8 (10. 495)

super 8: Kodak background orchestral ensemble for home movies (1961) would make a good soundtrack for any clip  

memory hole: unearthing—with surprising difficulty—an iconic, defining moment of 90s US political pop culture  

the fourth plinth: what becomes of statuary exhibited temporarily in Trafalgar Square—via Things Magazine  

whw: an interview with the ousted Kunsthalle collective who wanted to showcase all sides of Vienna  

poissons de diverses couleurs et figures extraordinaires: exquisite disco fish (1719)  

geyser relays: a rather pie-in-the-sky proposal for irrigation using a series of water canons  

parade route: revisiting the would-be arrival and presentation of Ganda the Rhinoceros  

sympawny № 4: a short arrangement to pay tribute to a beloved cat

annex and honours (10. 494)

Occupied by elements of the US Army’s Eighth Infantry Regiment under the leadership of General Henry Tureman Allen, who recognising its historic and aesthetic value successfully argued its preservation over planned destruction of the strategic fortress, the American flag was lowered at noon at Ehrenbreitstein above Koblenz, the headquarters of American forces during the Occupation of the Rhineland, on this day in 1923 as the last remaining troops departed by train to the port of Antwerp. The band of the one-hundred fifty sixth French Infantry played them out with the “Star-Spangled Banner” and themselves in with “La Marseillaise,” the French taking on the role through 1930. With a flourish of being unstuck in time, the image is of the same flag from this first occupation being raised again in the courtyard of the fortress in 1945 when Allied troops once again were stationed in the demilitarised zone.

ukiyo-e (10. 493)

Before gaining renown for his iconic series of woodblock prints of the Great Wave off Kanagawa, Katsushika Hokusai (葛飾 北斎) published three comprehensive volumes of “Quick Lessons in Simplified Drawing,” which are really fun to browse and remarkably build figures from the same rudimentary figures that all art teachers seem to employ, with the first book breaking every conceivable subject into geometric shapes, the second book fragmenting their curves and contours and the third book diagramming stroke order. Much more from Kottke at the link above.

6x6 (10. 492)

zhengyue 2: the second day of the Lunar New Year is considered the birthday of all dogs 

only took the m’f’er fifteen tries: Randy Rainbow lampoons Kevin McCartney with a parody of ‘Master of the House’ from Les Misérables 

i shot the serif: US Department of State drops the typeface Times New Roman in favour of the more legible Calibri font  

yellow magic orchestra: watch performances by the Japanese group that created some of the most innovative and influential acts in electronic music  

odonymy: more open etymological street maps—see also  

tet: a short, hand-drawn game about cooking and serving a Vietnamese holiday meal—via Waxy

the thin white duke (10. 491)

Released on this day in 1976, David Bowie’s tenth studio album was the major vehicle for the above stage persona and enjoys a legacy, building on the commercial success of his previous record Young Americans to allow more creative liberties in the direction he took this next transitional collection of songs, reflecting an interest in the occult and Aleister Crowley and Nietzsche’s Übermensch, as a departure but still among his most significant works—with exploration of new styles fully articulated in his Berlin Trilogy of the following year. Recorded in Los Angeles after completing shooting for The Man Who Fell to Earth, Bowie adapted the arc of narrative in the album from a partly autobiographical collection of short stories called The Return of the Thin White Duke he had written while off camera.