music-minus-one

Via Card House, our attention is directed to a record format called Sopic Cap Player and their portable party-in-a-box from 1976, impeccably sleek and modern looking for that vintage, that prefigured karaoke (a clipped compound meaning “empty orchestra,” カラオ) machines. The playlist includes “Champs Elysee” and “Waterloo Road” from Jason Crest with quite a few other cosmopolitan classics, demos and comparable technology linked in the comments section on this video shared by Techmoan’s Youtube channel.

sky rockets in flight

Charting both in the UK and the US, the Starland Vocal Band’s only hit “Afternoon Delight” began its run on this day in 1976, one of the biggest songs of the year. The group which began as a wife and husband duo—Taffy Nivert and Bill Danoff—wrote together with John Denver “Take Me Home, Country Roads” in 1971, eventually expanding into a full musical ensemble with keyboards and guitars and additional singers, and hosted an eponymous variety show on CBS—with David Letterman as a regularly featured writer—the following summer.

if i concentrate hard enough, i can move things

Released in theatres in the US on this day in 1976, horror writer Stephen King only received twenty-five hundred dollars for the rights to his novel (in epistolary form)—which seems rather nominal compared to the thirty-four-million-dollar box office performance for North America and the continued franchise—but at age twenty-six was happy to receive that sort of recognition for his first published book, first in print just two years prior. Directed by Brian De Palma, the award-winning film stars Sissy Spacek as a shy high school student with a religiously fanatical mother who is relentlessly tormented by her peers—unaware of her telekinetic abilities.

frühaufsteher

Rise and shine, Turophiles, to the musical stylings of organist Ady Zehnpfennig from his 1976 record album Early Bird. Graduating from the accordion to an electronic Hammond organ (see also here and here) and formed a trio with his brothers, performing first at night clubs in Köln. The fun accompanying image is from the reverse jacket cover.

the freedom to use, the choice to choose

Since our previous exposure to corporate singalong show tunes was more cast in the golden era of American industry, we appreciated revisiting the theme as big business begins counting on government support and subsidies over innovation typified in this Big Oil revue released in 1976 to extol and mildly indoctrinate associates with the virtues of laissez-faire economics and minimal government regulation with a judicious dose of lobbying. “America’s way—the free enterprise way / That’s what got us here today!” Find more tracks from the Exxon Singers and related choral arrangements at Boing Boing at the link above.

i want to destroy the passerby

Later included on their eponymous first album Never Mind the Bollocks, Here’s the Sex Pistols, the band’s debut single Anarchy in the UK was released on this day in 1976. Giving voice to a generation of disenfranchisement and poor prospects, this anthem launched the genres of punk- and anarcho-rock, reclaiming and reshaping pop music from its nadir of blandness and timidity, called out in the lyric—“I use the enemy” or NME, the New Musical Express, a rather tame hit digest that would later come to champion the Sex Pistols and similar groups.

 

orbiter vehicle designation 101

On this day (Constitution Day in the United States of America to mark its ratification in 1787) in 1976 President Gerald Ford christened the Space Shuttle Enterprise, named in response to an overwhelming Trekkie (“one of the most dedicated constituencies in the country”) letter campaign and the event was attended by the creators and cast of Star Trek.
Like the NCC-1701, it was not originally designed for spaceflight with no heat-shield for atmospheric re-entry (absent the expository device of a teleporter), the test vehicle was an important stepping stone to improve next generation vehicle engineering, famously piggy-backing aloft on a Boeing 747 to bring it to attitude and speed and testing its gliding maneuvers. The Enterprise was later retrofitted and flew missions in support of Skylab.

articulating the popular rage

The 1976 black comedy that billed itself as “perfectly outrageous” now seems presciently quaint by today standards, BBC reports in its appreciation of the motion picture Network.
Not only does the protracted mental breakdown of veteran news anchor Howard Beale provide unexpected ratings gold with his uncensored rants that channel the collected offenses and fears of the audience and the counterpoint of globalists in recognising that true power was taken from the tribes of man by corporate entities, producer Diana Christiansen who cultivated Beale’s new character also ventured into what we would regard as reality television.

ford v carter

The other day I came across this logo for US election night 1976, and was surprised by how contemporary the design seemed. On closer investigation, however, this convention developed by television anchor-men at the time was not the standard adopted by broadcasters universally and was in fact the opposite to the colour-coding in use today.
Until the 1980s, following the European system with red being associated with Communism and the left-leaning politics, the relatively and presently liberal Democratic Party was symbolised with that colour—though not by all media, and the Grand Old Party was represented by blue—harking back, according to some sources, to the blue uniforms of Unionist soldiers during the American Civil War. The colour schemes remained relatively mixed—with some outlets assigning one colour to the incumbent party and the other to the challenger, without respect for affiliation—until the contested outcome of the 2000 that took weeks to resolve and to less than a majority’s satisfaction between Al Gore and George W Bush. When the interpretation of the prevailing votes mattered not only state by state but county by county and precinct by precinct, all networks had to get it right (too much was at stake) and so adopted the same protocols for reporting and calling. The convention of Red States and Blue States for the media has held since.

ponceau 4r

As possibly one of the biggest hoaxes to come out of France since arguably the Priory of Sion (and notable for being a contemporary phenomenon with the bloodline conspiracy), the missive known as the Villejuif leaflet (anonymous but sourced to the oncological institute in the Paris suburbs) spread from 1976 onward with impressive virality contained a list of twenty or so—several different versions were in circulation for over a decade—of food additives, preservatives, and colouring agents alleged to be carcinogenic.
The original author of the pamphlet that was shared more than seven million times via chain-letters (chaîne de lettres, and more by word of mouth) across Europe was never identified and seemed to be spring-boarding his or her concerns off of the newly introduced codes called E Numbers that standardised food chemical labelling for the continent—as if the coding scheme was a veiled way to peddle poison like the notion that barcodes were the mark of the Devil, the classification system reserving E100-199 for dyes, E300-399 antioxidants, E900-E999 for sweeteners and so on. Obviously, processed food ought to be avoided when possible, and naturally the definition of fit for consumption is a fluid one, though I think that these specific panics are sometimes red-herrings, like so many red M&Ms, and regulatory bodies within the EU have rejected some of the substances deemed safe in the US—even if that use in America is strictly limited to colouring the skin of oranges to make them look riper or as cosmetics for other things that generally aren’t in the human food-chain, but that list also included a lot of naturally occurring compounds that are synthesised in industrial kitchens, like sodium sulphite, potassium nitrate, and citric acid. It was that last item that especially caused a panic, which is a pervasive food-additive, and propagated as the most toxic.  Perhaps the list (which we still encounter today as super foods and super villain foods, confronting us especially in the whitespaces of the internet) began innocently enough when a concerned but confused citoyen heard that citric acid was an essential catalyst for the Krebs cycle, mistaking the German word for cancer for the act of metabolising.  Incidentally, E124 or Ponceau 4R is a chemical pigment meaning poppy-red and one of the few not approved by the US Food and Drug Administration