7x7

dress rehearsal: for a quarter of a century, an individual attended his own funeral  

dominical letters: how the artificial unit of the week came to govern our lives—see also  

carceral publications: a collection of US prison newspapers  

yes or no questions: celebrate the conclusion of Futility Closet’s eight plus year run with a final episode of lateral thinking puzzles  

hvorugkynsnafnorð: despite progress in the choices for human naming conventions, the Icelandic governing body for horses is still highly gendered  

regenerative medicine: researchers develop “xenobots” capable of biological self-replication—via Waxy  

amigone: aptly named mortuary services—via Super Punch

8x8

uap: an interview with former US DoD head of the Advanced Aerospace Threat Identification Programme says that “Tic-Tac” craft have been observed by the navy for decades  

dutch angle: dramatic tilt in cinematography  

comrade kiev: an exquisitely curated collection of posters from Soviet times  

p68/dulcimer: a prototype of the iPod—which celebrated its twentieth birthday last month—via Twisted Sifter  

subjective distance: more on the ordering of adjectives and the unwritten rules of language—see previously 

quesos y besos: a soft goat cheese from Spain beat out many contenders to be awarded the top prize for the annual World Cheese Awards  

shoulder-surfing: a patent to discourage lookie-loos with a screen blur for those without the proper headgear and glasses—via Slashdot 

discopter: Alexander Weygers patented the design for the first UFO flying vehicle decades before the craze in sightings and visitations

6x6

fought and sold: the evolution of military recruitment advertising campaigns 

modern classics: in the vein of abstract vintage paperback cover art, eighty-four works of literature as postage stamps 

sleight of hand: objects from the Ricky Jay collection—more here, via Things Magazine 

20/20/20: revisiting a retrospective of the work of Afrofuturist Bodys Isek Kingelez 

every time they hear der bingle croon: episode two of Radiolab’s Mixtape miniseries explains why early entertainment was live and not Memorex  

america’s moveable fighting man: new G.I. Joe action figures available for pre-order

play misty for me

Clint Eastwood’s directorial debut, the above titled collaboration with Dean Riesner and Jo Heims was released on this day in 1971 and follows the narrative of an over night disc jockey in Carmel-by-the-Sea, California, portrayed by Eastwood, being stalked by an increasingly obsessive caller, Evelyn Draper played by Jessica Walter (*1941 - †2021), who always requests he play the signature Johnny Mathis jazz standard. After a bit of romantic entrapment that betrays the state of the fan’s mental health, the host fights to keep her at bay and unambiguously preclude the prospect of a future relationship .

7x7

anamorphosis: a sixteenth century optical illusion in a work by Hans Holbein the Younger 

💧: the first episode on the Weirdness of Water, presented by the Curious Cases of Rutherford & Fry  

uncharted: the region in Greece that was historically so inaccessible it was named Agrafa, literally off the maps—via Messy Messy Chic  

a people’s archive of sinking and melting: artefacts documenting the climate crisis  

odonym: a suite of applications to explore the toponymical decisions behind street names—see also 

fiat geld: origins of the trillion dollar coin  

spice like us: the geopolitics of nutmeg informed by its reputed efficacy against the plague

lying awake intent at tuning in on you

Originally recorded by songwriter Bruce Woolley and the Camera Club—featuring Thomas Dolby on keyboard, the follow-on version performed by the synth-pop group the Buggles, released a month prior as the debut single from their first studio album The Age of Plastic, the foundational, nostalgic hit, influenced by the music of Kraftwerk and inspired by memories of covertly listening to Radio Luxembourg late at night, topped the UK charts this week in 1979. The accompanying music video, first aired on Top of the Pops, went on, just after midnight on the first day of August 1981, to mark the beginning of MTV’s broadcasting run.

development hell

The Maximum Fun podcasting network (previously) has been hosting a block party this week to introduce the neighbours—that is, new programming adjacent to the shows that one already listens to discover new content and expand one’s listenership, helpfully recommending crossing-over points and places with easy egress for those unfamiliar with the programme’s content and approach. Already feeling over-subscribed, I am reluctant to add more shows but was always about Dead Pilots’ Society—see also here and here—whose premise is to unearth spec scripts for sit-coms and procedurals that were never produced and give them a proper table-read with a cast of professional actors and stand-ups. One stellar point of entry is episode twenty from 2017 that covers the bizarre pitch from writer Rob Schrab for Jetpackula performed with the talents of Patton Oswalt, Sujatat Day and Constance Wu about a has-been graphic novel illustrator whom befriends a vampire from the future, which was ultimately deemed too expensive to create. Check it out at the link above.

shock theatre

With the debut of the syndicated package of made-for-television monster movies after a few minor roles in a Western series—one being an undertaker—on this day in 1957 in the Philadelphia market, John Zacherle (*1918 - †2016) began a decades’ long career as a horror host, editing a pair of anthologies of ghost stories plus penning a few monster novelty songs. Often filling in for his colleague and fellow Philadelphian broadcaster Dick Clark when touring, Zacherle was the substitute MC for American Bandstand. As a promotional stunt to mark his move to New York, Zacherle staged a presidential campaign in 1960, running as a “cool ghoul” but failing to meet the threshold to get on the ballot in any state. Continuing the same format as Shock Theatre, the interstitial breaks became more and more elaborate with a cast of monstrous characters and branched out into a few motion picture parts as well as hosting a cartoon variety hour and adolescent dance show in New Jersey called Disc-O-Teen. Through the seventies and eighties, Zacherle was a Prog Rock disk-jockey and in an array of b-movies. His success and notoriety helped his niece Bonnie Zacherle develop and successfully pitch her 1982 toy line, My Little Pony—the horror.

highly irregular

Via the always engrossing 99% Invisible, we are introduced to the poem “The Chaos” penned by Dutch teacher and travel writer Gerard Nolst Trenité under the the pseudonym Charivarius (see also) in 1920 as a part of a broader commiseration and discussion on the mongrel nature of the English language and the challenges that poses for new learners. An excerpt of the rather epic length work begins:

Dearest creature in Creation,
Studying English pronunciation,
I will teach you in my verse
Sounds like corpse, corps, horse and worse.

Ending thus with the emblematic, problematic words italicised:

Finally: which rhymes with “enough,”
Though, through, plough, cough, hough, or tough?
Hiccough has the sound of “cup”…
My advice is—give it up!

7x7

cultured: beautiful Petri dish art (see also) from Dasha Plesen  

tax centinels: protesting college students conspired to create “penny famines” across the US in the late 1930s 

rediffusion: the Thames Television archives—via Things magazine  

fat bear bracket: follow the celebration of survival and success with Katmai’s nature preserve ursine residents—via Hyperalleric’s Required Reading 

the thing on the fourble board: a 1948 episode of the radio programme Quiet, Please! is considered to be one of the scariest broadcasts ever 

bisection: the spiralling figural sculpture of Isabel Miramontes  

frustule: the rich diversity of diatoms illustrated in an 1890 volume

conspicous calculation

Addressing the lexical weight of numeracy and the outsized weight we attribute to it as we do with all jargon from coding to spellbinding, we really enjoyed the panel discussion between host Helen Zaltzman and guest Professor Stephen Chrisomalis featured on the latest episode of the Allusionist on numbers and notation. 

We especially appreciated the disabusing reminders about bias, audience and the recent dominance of Indo-Arabic numerals (see also) and the vestigial systems, like Roman numerals, that accord prestige and the fact that I, V, X, L, C, D, M were not immutable from Antiquity until now with medieval abbreviations sometimes reflecting the Latin name or using Claudian letters and that the symbols were never meant to denote centum or mille but rather that half X is V and half C is L, and so on.

6x6

headgear: Languagehat is no longer neglecting the latter portion of its remit 

on seeing the 100% perfect girl one beautiful april morning: a pair of short stories from Rysuke Hamaguchi adapted for film  

aggregate accessory fruit: the curious, circuitous route of the misnamed garden variety strawberry  

like astrology for businessmen: a look at the Myers-Briggs personality test 

strokenteelt: see strip cultivation at work in the Netherlands 

erm: a discussion on intonation and a hummed “I don’t know”

7x7

event horizon: unlike planets or stars, the size of black holes are not limited by physical constraints  

peg and pulley: a compelling argument to revive the cross-building washing line—via Pasa Bon!  

alien dreams: uncannily creative art from AIs—via Waxy 

bertilak de hautdesert: a highly recommended retelling of Sir Gawain and the Green Knight—see previously 

the greater fool theory: also called survivor investing, on the origins of value, margin calls and fiat currency—see previously  

thirteen things: a truly outstanding round-up from a fellow internet caretaker, including an indoor-outdoor bath tub on rails, pineapple cheese and a chameleon tape-measure 

intercluster medium: a galaxy-sized cloud of gas out floating in splendid isolation

vintage obscura

Gleaning the rarities of world music from popular sources this radio station—with a simple protocol of a few criteria—rotates through taste-expanding repertoire of tracks of limited exposure and have been recorded or released at least a quarter century prior—which is presently pre-1996. Give them a listen live and review their entire growing playlist.

stamina potion

Directed towards an engrossing economics side-quest to ponder from NRP’s Planet Money, we learn how a cadre of rather ingenious individuals, to stave of the worst effect of a collapsing national currency and exponential inflation which strips money of one of its defining pillars as a store of value, to farming for computer game gold, since collecting and trading those virtual coins for primarily euro or US dollars was at a far better rate of exchange than the bolívar soberano and paid a better wage. Choosing the MMORPG (massively multiplayer on-line role-playing game) platform of Old School RuneScape because of its low bar to access, straightforward and relatively easy to play (especially for repetitive, income-generating tasks) and would run on older computers and not be too data intensive, their activity (not allowed according to house rules, selling to third-parties, but can’t really be stopped) has drawn supporters sympathetic to their real world plight and detractors complaining of encroachment and how it skews the in-game economy.

turner d. century

A minor super-villain (see also here and here) that first appeared as Spider Woman’s nemesis in a December 1980 issue of the comic, the alter-ego of Clifford F. Michaels’ formative backstory has the character adopted by a wealthy business tycoon for whom his biological father was chauffeur and valet, the benefactor responsible for rebuilding much of San Francisco after the 1906 Earthquake but was displeased with the moral turpitude and vice that emerged from the rubble.

The magnate attempted to launch a campaign to restore manners and mores to what they had been at the fin de siècle but failed and so sheltered himself and surrogate son from the degeneracy and idealise the past with the dress and affectations of a gentleman in 1900. Raging against progress and change with toxic nostalgia, Century tried depopulating the city in various ways in order to start fresh with society (possibly with wax figures as substitutes for actual residents) including a hypersonic weapon, flame-throwing umbrella and magic time horn that kills people under sixty-five (like high-pitched nuisance feedback that only young people can hear). Century’s plans were thwarted and the character killed off finally in 1986, along with a slew of other second tier criminals that needed to be culled from the Marvel paracosm, by vigilante assassin Scourge of the Underworld.

pluralia tantum

Existing only in the plural form, the term bibliobibuli was coined in 1957 by H. L. Mencken from the Latinate roots biblio and bibulous to call the set that read too much: “I know some who are constantly drunk on books, as other men are drunk on whiskey or religion. They wander through this most diverting and simulation of worlds in a haze, seeing nothing and hearing nothing.” This harsh indictment applies it seems to those who with a slate of podcast subscriptions requiring listening to and catching up on. Now I feel personnally attacked.

8x8

banning: a 1967 forgotten film about a sordid tryst at a country club 

remains of the day: six relics of once ubiquitous fast-food empires  

plain chachalaca: more badly named bird friends—see previously here and here, via Super Punch

awestruck: short, initial pieces optimised for joy and wonder from NPR 

gallery 88: an electronics line for kids from Sony—see also  

dhead xlvi: a David Bowie painting (see previously) saved from a landfill fetches over one hundred thousand CA$  

grand opening: a brief history of the ribbon-cutting ceremony  

britbox: an interactive fiction project for a cult 70s television programme that dabbled in paganism and the paranormal—see also—which never existed

le pont de trinquetaille

Seeing that on this day in 1987, a Van Gogh (previously here and here) of a bridge scene in Arles fetched a then record twenty million dollars at auction made me reflect on a recent podcast episode about the individual responsible for the artist’s posthumous and compelling fame promoted out of necessity and circumstance, Johanna van Gogh-Bonger (*1862 - †1925), widow of theretofore Van Gogh’s greatest champion, his brother Theo, and sister-in-law who had acquired a great deal of the then worthless works and against the advice of friends and family brought them back to their native Holland from Paris after losing her husband. In order to provide for herself and her child, Van Gogh-Bonger collected and edited an epistolary exchange and between the brothers and family biography, helping to establish her brother-in-law’s fame and reputation, as well as arranging exhibitions, helping to define not only Vincent as a celebrity but the attendant marketplace of the art world as well.

beige

Commissioned originally by a paint company for voice-over artist Ken Nordine to write and perform radio spots in the style of signature his “word jazz” albums (also long-time WBEZ Chicago public radio host of the programme of the same name), the work expanded by 1967 into a full recording of some thirty tracks, personifying a different colour each, kind of like Eighty-Eight Lines about Forty-Four Women. Covered hues include Puce, Chartreuse, Ecru and Mauve. The reverse of the sleeve and liner-notes included byzantine instructions for a board game and make a finger-painting based on the order prescribed and scoring was self-apparent.