Via the always excellent Nag on the Lake, we are introduced to the range of multi-sensory board games—fluxchess sets—conceived and crafted by studio artist (see previously) Takako Saito to question the primacy of vision to play and in the artistic aesthetic in general by tethering experience to higher planes through the richness of perception and incorporating all the senses.
Like the exquisite but diminutive game piece itself we nearly overlooked this incredible find (see also) that provides a tangible link between the activity of Lindisfarne and the Viking raids and subjugation that began at the dawn of the ninth century.
On learning that the finely crafted bauble is speculated to be playable character of an ancient Viking board game, akin to chess (ibidem as it turns out), called hnefatafl my memory was jogged and there’s quite a bit of resonance to an artefact that suggests how these imagined ruthless plunders brought along their pastimes and distractions to the equally imagined milieu of desperate poverty and privation.
Tucked away in a drawer for the better part of five decades, a family in Edinburgh has learned that their treasured heirloom conversation piece is one of the five legendary missing pieces from the Lewis Chessmen (previously), a medieval set from the twelfth century unearthed on the Isle of Lewis in northern Scotland in 1831. A shrewd antiques dealer got the artefact for a bargain of £5 and it has been appraised at over a million pounds—hopefully auctioned off to join its team mates.
We regret having missed this scandalising graphic design choice from December of 2017 when the new season’s World Chess Championship logo had its debut, but it is still resonant since the world (on-line and off) is puerile as ever and wont and eager to prise a dirty joke or snicker out of any situation. The studio behind this pugilistic emblem as well as the client organisation that commissioned it called out as something obviously tantric responded in a healthy way, however, appreciating the furore and the focus it brought.
The world is lousy with bad design and there’s a lot of unintended suggestiveness—though of course sex sells, but overall attacking what’s bold or avant-garde makes design as whole boring and more conservative, brands and associations not wanting to risk what might be made the butt of ridicule. This obsession—which I am sure will go into overdrive with candidates developing their campaign imagery—seems to me like a surrogate for that persistent though mythical legend about subliminal advertising (by definition, if it is subliminal, it does not register) that had people trying to find (and in some cases swearing to it) nudes in ice cubes for the past six decades. More to explore at the link up top.
Our gratitude to TYWKIWDBI for the introduction to the family of Nordic and Celtic strategy board games played out on a grid with asymmetrical armies with the player on the defensive clustered at the centre of the board—protecting a king or castle from capture.
Known as hnefatafl (fist-table—I guess for pounding the table and upsetting the pieces out of frustration over losing) or Viking chess, variants were played in the British Isles and Scandinavia for centuries—with the received rules written down by natural philosopher Linnaeus in the eighteenth century, but so rife with errors and mistranslations that the rules needed to be re-written and the original form of play was lost. Trying to reconstruct this ancient game, however, and watching it evolve has proven to be a fun and fertile activity. Learn more at the link up top.
