Father Pecoraro, a psychotherapist and lawyer for the ecclesiastic court residing in the local rectory, giving the benediction in a room on the first storey heard a gruff, disembodied masculine voice demanding he get out but refrained from letting the couple know until a week later on Christmas Eve to avoid that space, which was planned to be a sewing room after developing a sort of stigmata on his hands and wrists. Nothing unusual was experienced by the family at first but by mid-January the horrors became intolerable, declining to relate all the details so as not to relive the fright and left, abandoning all their possessions, once a brackish slime began covering the staircase. An editor of publishing house, Prentice Hall, a year afterwards introduced the Lutz family to writer Jay Anson, whom acquired the rights to the story, novelising the account, which was turned into a cinematic franchise in 1979 with several sequels and reboots. Subsequent owners of the property when it returned to the market reported no usual occurrences, other than the nuisance caused by the book and movies. The Shinnecock Nation, a tribe of the Algonquian Native Americans and indigenous residents of area, further objected to the suggestion that the address (now slightly altered to 108 to discourage visitors) was the site of what has since become a trope in the genre being an ancient Indian burial ground. An open-house was held after its most recent sale in 2010 but no one was allowed upstairs or in the basement.
synchronoptica
one year ago: assorted links to revisit (with synchronopticæ), earthstreak plus an auroral almanac
twelve years ago: a professional footballer comes out
fourteen years ago: sovereign debt crises plus US forces in Germany
fifteen years ago: realigning the zodiac
