Orchestral Manoeuvres in the Dark’s fourth studio album was inspired in concept and cover art by a 1983 gallery showing of Wadsworth’s works. Conscripted as a sub-lieutenant himself, Wadsworth’s monochromatic pieces reflect the same maritime and industrial themes and abstractions to decode and encode. Much more from John Coulthart’s Feuilleton at the link up top.
Sunday, 8 June 2025
silent running (12. 521)
We appreciated the chance to revisit the works of graphic designer Edward Wadsworth, best known as a forerunner of the art movement known as Vorticism which saw a practical—though possibly not as effective as hoped—application in transferring dazzle camouflage designs for the Royal Navy fleet during World War I (see previously)—through the medium of his woodcuts. 
Orchestral Manoeuvres in the Dark’s fourth studio album was inspired in concept and cover art by a 1983 gallery showing of Wadsworth’s works. Conscripted as a sub-lieutenant himself, Wadsworth’s monochromatic pieces reflect the same maritime and industrial themes and abstractions to decode and encode. Much more from John Coulthart’s Feuilleton at the link up top.
Orchestral Manoeuvres in the Dark’s fourth studio album was inspired in concept and cover art by a 1983 gallery showing of Wadsworth’s works. Conscripted as a sub-lieutenant himself, Wadsworth’s monochromatic pieces reflect the same maritime and industrial themes and abstractions to decode and encode. Much more from John Coulthart’s Feuilleton at the link up top.