Released in November of the previous year with the premier of the film, and was until the debut of Thriller by Michael Jackson in 1982 the best-selling album in history, the soundtrack to Saturday Night Fever began a twenty-four week run on the top of the US charts—with comparable success in international markets on this day in 1978. A nineteen-year-old Tony Manero (portrayed by John Travolta, see previously) escapes disillusionment by in his working-class Brooklyn neighbourhood by escaping to the a local disco (above) on the weekends, where he rules the dance-floor and longs for a better life in Manhattan, just across the Verrazzano-Narrows bridge. Showcasing the musical talents of the Bee Gees, Yvonne Elliman, Kool & the Gang, The Trammps amd KC and the Sunshine Band, the Brothers Gibb’s group and many of the other artists were not involved with the project until post-production, after the deal fell through with the recording label for Boz Scaggs (denied because the song “Lowdown” had recently appeared in another disco film Looking for Mister Goodbar, which is hard to describe as a dance drama but Saturday Night Fever has a complicated plot with a lot happening as well) and much of the choreography had to be redone after the movie’s producer commissioned the Bee Gees as understudies, with the lead tracks written and recorded over the course of a single weekend at a French château.