signature ballad in the artist’s repertoire was co-written by Brian Eno, and recorded in Hansa Tonstudio 2 in the Kreuzberg district of West Berlin sings the narrative of two star-crossed lovers in the divided city, who live in constant fear of being caught but are free in their dreams. Inspired by witnessing his then-married record producer Tony Visconti kissing a singer “by the Wall,” David Bowie put the song’s title in quotation marks to invoke a light sense of irony to the triumphant and defiant tone. Bowie also put out German (Helden) and French (Héros) versions of the song. The album cover art is an homage to Expressionist painter Erich Heckel’s 1917 self-portrait Roquairol, like (though with the pose a bit closer) Iggy Pop’s nearly contemporary album, The Idiot.
synchronoptica
one year ago: Trump family facing legal peril over exaggerating the value of their crime syndicate plus an infinite scroll of the updating internet
two years ago: the unification of Saudi Arabia (1932) plus your daily demon: Phenex
three years ago: the US Subversives Control Act (1950), the Halo Effect and hindsight bias plus an anthology of Korean folktales
four years ago: the Fatberg commemorated plus variations on the Dr Who theme
five years ago: the first day of Autumn, numbers stations, a family’s political rebuttal plus a space probe arrives at its target asteroid