Details about the fish species, location and other conditions were captioned with the image along with an authenticating, notarising seal and traditionally a few gyotaku exemplars were prepared and dispatched to sellers as way of evaluating the quality of the harvest, which could also be thought of a regulatory measure to “brand” stocks and mitigate over-fishing. The detail transferred in the anatomy of aquaculture represents one of the first large scale nature studies.
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Friday, 12 February 2021
the one that got away
Via our peripatetic companion, Things Magazine, we learn about a centuries’ old Japanese method that fishermen used as a means of recordkeeping for logging their catch that is still employed though somewhat rarefied as an art form. 魚拓 (gyotaku, from fish + [stone] impression) is a printmaking technique which renders caught subjects as printing plates, brushing them with ink and carefully pressing a rice paper sheet over it.
Details about the fish species, location and other conditions were captioned with the image along with an authenticating, notarising seal and traditionally a few gyotaku exemplars were prepared and dispatched to sellers as way of evaluating the quality of the harvest, which could also be thought of a regulatory measure to “brand” stocks and mitigate over-fishing. The detail transferred in the anatomy of aquaculture represents one of the first large scale nature studies.
Details about the fish species, location and other conditions were captioned with the image along with an authenticating, notarising seal and traditionally a few gyotaku exemplars were prepared and dispatched to sellers as way of evaluating the quality of the harvest, which could also be thought of a regulatory measure to “brand” stocks and mitigate over-fishing. The detail transferred in the anatomy of aquaculture represents one of the first large scale nature studies.