We are finding ourselves quite a bit conflicted about the new development at Midtown Manhattan’s Hudson Yards in general as a gentrified, cordoned off play area for the well-heeled but are nonetheless impressed with the copper, multi-storeyed pavilion called the Vessel from the studios of Thomas Heatherwick (previously here and here)—whose criss-crossing stairwells and latticework of landings create quite an interesting viewing platform to survey the post-industrial neighbourhood and the tenants. It reminded us of the monumental eighth century stepwell of Chand Baori (nearly on the same scale but with an exterior outlook as well) in Rajasthan. Much more to explore at the links above.
Saturday, 16 March 2019
wrong side of the tracks
We are finding ourselves quite a bit conflicted about the new development at Midtown Manhattan’s Hudson Yards in general as a gentrified, cordoned off play area for the well-heeled but are nonetheless impressed with the copper, multi-storeyed pavilion called the Vessel from the studios of Thomas Heatherwick (previously here and here)—whose criss-crossing stairwells and latticework of landings create quite an interesting viewing platform to survey the post-industrial neighbourhood and the tenants. It reminded us of the monumental eighth century stepwell of Chand Baori (nearly on the same scale but with an exterior outlook as well) in Rajasthan. Much more to explore at the links above.