We enjoyed this appreciation of not only of the musical stylings of Edvard Grieg but how the snatches of sound and motifs have thoroughly inundated popular culture—resounding especially through the composer’s accompaniment to the stage play Peer Gynt by Henrik Ibsen, nearly on par with the Strum und Drang of Richard Wagner. Although one might not be able to name or attribute In the Hall of the Mountain King or Morning Mood (Morgenstemning—and we agree it’s funny to call any song a mood), all those works are instantly recognisable, evocative and indulgent.
Thursday, 7 September 2017
incidental music
We enjoyed this appreciation of not only of the musical stylings of Edvard Grieg but how the snatches of sound and motifs have thoroughly inundated popular culture—resounding especially through the composer’s accompaniment to the stage play Peer Gynt by Henrik Ibsen, nearly on par with the Strum und Drang of Richard Wagner. Although one might not be able to name or attribute In the Hall of the Mountain King or Morning Mood (Morgenstemning—and we agree it’s funny to call any song a mood), all those works are instantly recognisable, evocative and indulgent.