your daily demon: furcas

Ruling portion of the infernal progression from today until 2 December and attaining uniquely among his cohort the rank of knight, this wizened man sat agee is the fiftieth in the calendar and can be summoned to dispense knowledge on things pertaining to rhetoric, according to the Ars Goetia, as well as chiromancy and pyromancy. Named after the Greco-Roman term for sepulchre, Furcas’ invocation is said to bring peace of mind and dispels anxiety.

jumping jehoshaphat

Albeit only tenuously connected with the title epithet and expression, this day marks the veneration of saints and martyrs Barlaam and Josaphat, the former the tutor engaged for the emendation and education of the latter, a young Indian prince and unquestionably based on the life and subsequent enlightenment of the Gautama Buddha, Siddhārtha. Trying to make the predictions that his son would become a Christian (the gospel having been brought to the sub-continent by Thomas the Apostle) null and invalid by isolating him, Josaphat—the Arabic name Būdhasaf ultimately derived from the Sanskrit term Bodhisattva—converted after meeting the hermit Barlaam and sustained his father’s rage, whom eventually relented and abdicated, transferring power to his son, whom in turn relinquished it all and went away to live with his spiritual guide. The phrase that we are brought to originated in the nineteenth century with the particularly American affection for minced oaths, later echoed by Bugs Bunny’s nemesis Yosemite Sam and invokes rather a king in Judea (whose name is probably epithetical, meaning God has judged)referenced in the biblical book 2 Chronicles who implored his army to remain strong and steadfast insofar as the battle was not theirs but God’s, and once they are winning, he jumps in righteous jubilation. Josaphat’s father also became a disciple of Barlaam. As much as a skeleton of a narrative these stories are everyone (though not discounting the anchoring details in every one), the Buddhist version that Christianity co-opted seems far more persuasive and one not for astonishment but rather for aspiration.

aurora borealis shining down in dallas

Via Nag on the Lake, we are directed towards the musical stylings of Italo-Hiberno Pop performers Adriano Celentano and Raffaella Carrà (previously) with their 1974 club hit Prisencolinensinainciusol (see also), whose lyrics are nonsense words meant to sound like English meant to prove that audience would embrace anything catchy and with a good beat. The accompanying video (updated with a fortieth anniversary retrospective) is pretty epic as well.

nutbush city limit

The settlement believed to be founded in the sixth century by a Bavarian nobleman called Focko with its first documented mention in 1070 as part of the lordship of Adalpertus de Fucinging with the name evolving over the centuries from Vuxxhingen, Fukching, Fugkhing and finally to Fucking (see also) in the seventeen hundreds, the village of just over a hundred residents in Upper Austria has agreed as on the New Year to change its toponym, accordingly with some gleichnamiger localities to Fugging in an attempt to better reflect native pronunciation.  Despite the realised potential for using the name as an intensifier for any number of causes, villagers have grown weary of stolen signage and windshield-tourists. The villages of Petting, Kissing, Wanking as well as the affiliated hamlets of Ober- und Unterfucking have not yet indicated any plans to change names.

nulla dies sine linea

Via the always amazing Everlasting Blört, we are directed to artist Edward Carey’s ongoing pandemic project who has been committed to sketching a portrait a day since rushing home to Austin, Texas from London in March and has recently surpassed the two-hundred-fiftieth mark. Some of the illustrations are pulled from the headlines, acknowledging historic birthdays, helpful reminders that the past can be precedent or whatever takes him at the moment and hopes to continue until the crisis is over.

6x6

surrogate: Trump issues pardon to former national security advisor Michael Flynn, who pled guilty twice to making false statements to the FBI involving his Russian connections 

thermochromic: windows go from transparent to tinted while generating electricity  

l’atlas: an intriguing new approach to mapping France’s natural glory—via Things Magazine 

 ♚: reimagining the Queen’s Gambit as a MS DOS PC game 

fry guys: one intrepid connoisseur revives a long lost recipe  

stonks: only pausing to take credit for and praise the teetering high of the Dow Jones, Trump presents a very abbreviated brief

¡no lupita!

Released on this date in 1959 in Mexico (in October of the following year internationally, in America markets  under the same title though sometimes distinguished as Santa Claus versus the Devil), this René Cardona and Adolfo Torres Portillo collaboration premises that Santa has a workshop in outer space and defeats a demon called Pitch who was dispatched to Earth by Lucifer to spoil Christmas by killing its spirit and cause all of humanity to do Satan’s despondent and joyless, and by defacto  evil, bidding. The movie received the Mystery Science Theatre 3000 (see previously) on Christmas Eve 1993 and one can watch the lampoon in its entirety below.

dantooine is too remote to make an effective demonstration

Conservationists and connoisseurs of Brutalist architecture have found allies in Star Wars fandom—whether or not the iconic outline of the Hôtel du Lac of Tunis directly informed the sandcrawler of the Jawas on Tatooine (some sources disagree, saying that Ralph McQuarrie had come up with the mobile fortress well before location scouting) to help preserve the historic structure from perhaps imminent destruction. Scenes of the first instalment of the saga were in any case filmed in the deserts of Tunisia, the name and ancillary building style of the moisture farm after the governorate of Tatouine, Tiṭṭawin, ⵜⵉⵟⵟⴰⵡⵉⵏ. The presently abandoned (closed to guests since the early 2000s) and in a severe state of disrepair structure was built in the early 1970s and designed by Italian architect and painter Raffaele Contigiani (*1920 – †2008) as an inverted ziggurat and those room windows have their blinds strategically drawn to spell out Non à la demolition (لا للهدم) in Arabic.