david bowie, david bowie

The photographer Gerald Fearnley who took the cover-image for the artist’s eponymous first studio album (“Sell Me a Coat,” “Maids of Bond Street” and many others titles) in 1967 is sharing some of the unused outtakes. One can see the germ of some of his other personalities that would be developed fully later in Bowie’s career present and exposed already on this one roll of film.

orpheus und euridike

Forty years after its first publication and three decades since it was translated into English the research and culminating work Male Fantasies (Männerphantasien) of ethnographer Klaus Theweleit are tragically enjoying particular relevance and probably should have never been allowed to recede into relative, academic obscurity.
Fascist movements and the undercurrents thereof defy the narrative of explanation that we look toward at such fraught and pivotal moments because fascism by its nature is a mockery of reason and rises by viciously attacking the framework of education and emendation that normally protects society from the worst manifestations of despotism from getting a toe-hold. In efforts to come to terms with the horrors his country committed when he was an infant, Theweleit looked first to the usual bellwethers of economic pressures and charismatics and discovered that such explanations fell short before turning to the disaffected paramilitary pulp fiction that circulated in the last days of the Weimar Republic. A critical reading of this previously ignored corpus of literature and ephemera that reflected the Zeitgeist of fear informed Theweleit’s brutal, psycho-political, fantasy-driven collage and collective unconscious. The sprawling study exposes the pre-Œdipal male psyche that cowers behind the tough personæ of foot-soldiers and deputised goons that lives in abject fear of the feminine other—couched in terms that are not too different than what passes as dialogue these days, a morass that’s an enticing and perilous deep, a swamp to be drained, something visceral, fluid and fount of all sorrow. The body politic is inseparable, it seems, from our fragile psychology, and is ironically financed by a further appeal to vanities through our equally reason-defying obsession with appearance, stopping the dissolution of our physical bodies and in turn our virtual avatars. This social imprinting comes from within and until society can confront this, our worst tendencies are not calmed but primed to erupt at any moment.

sunday drive: die siebenschläfer

For a few weeks now there’s been a detour due to major roads construction on the way from home to my work-week apartment that necessitates that one drive straight up a mountain range to get to the Autobahn, and there’s been some new vistas to enjoy despite the dodgy weather. I made it a point to visit a little wayside, hilltop chapel near Ebersburg dedicated to the Seven Sleepers.
Click on the images to enlarge them.  Both Islamic and Christian traditions share the story of seven young men who flee persecution in Ephesus around the year 250 AD by hiding in a cave to emerge from a long slumber three centuries later, at a point in history when the Roman Empire had a more favourable view of Abrahamic religions.
Indeed under Emperor Decius, such religious practises were outlawed as antisocial and subversive but the Empire turned to adopting Christianity as a state religion.  One story names the youths as Achilledes, Diomedes, Stephanus, Eugenius, Probatius, Sabbatius and Quiriacus plus their loyal dog who stands watch the whole time.  According to other accounts, the seven are still sleeping and there is also a bit of conflation and cross-over with stories of Joseph of Arimathea as the keeper of the Holy Grail, identifying the Chalice Well in Glastonbury as the cave of the Seven Sleepers. 

form follows function

After having my interest piqued regarding different legislative bodies around the world, I tried my hand at surveying parliaments by their emblems but this uniform and minimalist approach, via Nag of the Lake, which an Amsterdam-based design firm has taken is immediate, imagining how spaces of assembly and debate are influenced, restricted or otherwise facilitated by comparing and contrasting the seating layout of various national and supranational constituencies. Most parliaments adhere to five typologies (architecturally-speaking, the layout, the accommodation)—opposed aisles, classroom, semi-circle, horseshoe and tending towards full circular. These theatres in the round are typical for newly constituted legislatures and are most democratic, according to the authors’ research—while a semi-circular typology is most conducive of consensus-building, but I also suppose that the number of parties would factor in as well.  Other, arguably outmoded set-ups seem to hinder governance.

la terre est habitée

As a little kid, I remember distinctly seeing this short animated that posited extra-terrestrials observing Earth might be forgiven for assuming that automobiles were the dominant life forms of the planet with human beings just some parasitic infestation (though parasites, despite their reputation aren’t lower life forms) and being quite alarmed at the idea that we might be overlooked while the scouting-party compile an ethnographic account based on what they can extrapolate about car culture and society and make informed guesses on cars’ grooming, feeding, mating and funerary rites. Our appreciation to Fancy Notions for showcasing this feature and letting us experience it again. What on Earth! (ou La Terre est habitée!) is a creation of the Canadian Film Board by Les Drew and Kaj Pindal and was first released in 1966 to critical acclaim. I wonder what visiting aliens might make of Earthlings if they came today to throngs of screen-gazers, communicative and engaged by not necessary in outward appearance or with those in closest physical proximity. Maybe such customs would be too inscrutable for outsiders to interpret.

What on Earth!, Les Drew & Kaj Pindal, provided by the National Film Board of Canada

mouse potato

Quartz makes an interesting study on how the maturing fears and foibles of a society are reflected in their neologisms through a dictionary tool that records the year when new terms began to be appearing in print, making a fairly direct correlation between what people were experiencing by what they hadn’t quite the words for and needed redefinition and nuance.  Like with other examples, it’s surprising to learn that what one might regard as a contemporary nonce word is actually somewhat older and just returning to common-parlance: cisgender (1994), humblebrag (2002), carbon-footprint and meh (1992) to date a few. The term mouse potato describes someone who couldn’t get enough screen time was coined in 1993 (the same year as metrosexual, unfriend and binge-watch) but never caught on. Maybe its time has come around again.  Visit Quartz at the link up top for more words and to conduct your own year-by-year lexical survey.