Buried in a 1925 newsletter from Trinity College, Cambridge we are treated to a fanciful syllabus from analytic realist Charles Dunbar Broad, whom like his contemporary colleagues Bertrand Russell (previously here and here) and G. E. Moore, would have rejected as quickly and wholly as the Platonic forms, that was surely contributed to amuse his students and reads very much like a modern wizarding 101 with courses in magic, alchemy and astrology—with practica dedicated to scrying, rhabdomancy and the interpretation of entrails—to name a few.
A special disclaimer section follows of prohibitions that enrolees are to adhere to, for instance on the Evocation of Elementals: Owing to the terms of the fire-insurance on the College buildings it is necessary to prohibit absolutely the evocation of Salamanders in rooms in College. It is an immemorial rule of the College that the baths are “places for ablution and not for the evocation of Undines.” “No member of the college may make, have in his possession, melt, or transfix a mommet [poppet, a voodoo doll] of the Master or of any of the Fellows, Chaplains, Librarian, or Organist. Bedmakers have instructions to report immediately to the Dean of College the presence of any mommet that they find.” And on Levitation and Bilocation, they are “strictly forbidden in Hall, Chapel, the Library, and during lectures.” All in all, this seems like a pretty fun, charming curriculum and Broad’s pupils must have gotten a kick out of it.Friday 30 October 2020
Saturday 10 October 2020
♆
Discovered by brewer by trade and amateur astronomer by passion William Lassell just weeks after the confirmation of the new planet Neptune at the advice of his friend polymath John Herschel to search for moons, the largest and what was considered until 1949 to be the lone satellite came to be named after Triton.
The son of sea god Poseidon and Amphitrite—was half man and half fish his name was broadly used as term for merfolk generally in classical scholarship. Triton’s relatively substantial size, as big as the Earth’s moon, and uniquely retrograde orbit suggest Triton was a dwarf planet, like Pluto, captured by the gas giant. Composed primarily of water ice and frozen nitrogen with a rocky core, it is one of the few known satellites to be geologically active and has cryovolcanic activity and ice geysers that give the moon uniform but ridged terrain described as akin to the surface of a cantaloupe.
catagories: ๐ฌ๐ง, ๐ญ, ๐ง♂️, myth and monsters, ⓦ
Tuesday 21 April 2020
deaccession
Delightfully temporarily shuttered museums are holding a virtual curatorial showdown to reveal the world’s creepiest exhibit or object in their collection. Entrants, all hideous and artefacts to make one’s skin crawl began with a ancient Roman woman’s burial hair bun and include taxidermied mermaids, talismans and torture devices—like this one pictured from the Tower of London, touted as an executioner’s mask but subsequent research suggests it’s purpose is even darker: an iron muzzle called a Scold’s Bridle, meant for public humiliation. See more ghastly, cursed objects at The Guardian article at the link up top.
catagories: ๐ง♂️, libraries and museums, networking and blogging
Monday 16 March 2020
amabie
Via both our friends Spoon & Tamago and Everlasting Blรถrt we are introduced to a timely and portentous yลkai (see previously) that presents as a sort of merfolk with three trunk like legs emerging from the sea to forecast either abundant crops or epidemic.
Pictured above is a late Edo era wood block print depicting an encounter in 1846 off the coast of Kumamoto investigated by local authority, whom were told by the creature that identified itself by name that good harvests would continue unabated for the next six years and should disease spread, display an artistic likeness of it to those afflicted to ward off sickness. I can’t sketch so well and there are many better examples at the links up top from popular illustrators, but I figured I could at least share my contribution, thinking maybe we could all draw and share our own amabie (ใขใใใจ) as an art therapy project whilst we self-isolate.
catagories: ⚕️, ๐ฏ๐ต, ๐ง♂️, myth and monsters, networking and blogging
Thursday 5 September 2019
ys
In addition to its own version of the Arthurian saga, the western part of Bretagne on the peninsula of Crozon, once known as Cournouallie with the same etymology as Cornwall across the Channel, has its own legendary cast of characters including Gradlon the Great (Gradlon Meur). A soldier of fortune courted by a sorcerous consort of a dying king called Malgven—who talked Gradlon into giving the old king a coup de grรขce and ruling with her.
This cautionary tale continues with Malgven dying during childbirth with the couple’s daughter Dahut, a most unnatural and ungrateful child. Having established himself as an otherwise sage and just ruler—despite his earlier act of regicide, Gradlon commissioned the building of a fantastic city built on land reclaimed from the sea (Kรชr Ys, low city), lavishly ornamented and with no expense spared, the waters held back by a system of dykes for which only Gradlon had the key to open the floodgates.
Over the years, Dahut had grown frivolous and vain and was wiled by a suitor to grant him access to Ys. Rather punch-drunk with her success of secreting away the key from her father and thinking she was throwing open the city gate, a torrent of water rushed in. The king was roused by a very historical bishop called Gwenole, who keeping vespers in the night and saw the flood waters rise and was beatified as founding bishop of the abbey of Landรฉvennec (see also and when I first saw the ruin it reminded me of this amphitheatre on the Cornish coast that we visited and upon leaving the town, saw it was in fact twinned—jumelage—with The Lizard (An Lysardh), that peninsula in southern Cornwall.
Saturday 3 August 2019
gesamtkunstwerk
Having observed the centenary of the successor Bauhaus movement earlier in the year, it was a real treat to visit the Wiesbaden museum (previously) for a grand and circumspect tour of the age in art and design that came right before with an inspiring exhibition of Jugenstil and Art Deco that for the first time brought together the institution‘s complete endowment of period antiques from the collection of local patron Friedrich Wolfgang Neiss, supplemented with a few objects on loan from Paris and Vienna.
It was not only dazzling with fine and elegant craftsmanship on display—lamps and chandeliers from Louis Comfort Tiffany, รmile Gallรฉ, and the Müller Fréres, porcelain, paintings and furnishings (the individual suites were sort of set up like IKEA showrooms) but also was curated in such a way to address the artists’ philosophy and outlook. Thematically it was also interesting to note the subject matter being different and unexpected with lots of mushrooms, bats and even jellyfish and mermen appearing throughout the collection aside from mythological and religious allegories. These images are just a small sampling of the items that caught my eye.
Tuesday 29 January 2019
briar rose
On this day in 1959, Walt Disney’s adaptation of the fairy tale “Sleeping Beauty” (previously) went into theatrical release.
Despite the grandeur of the storytelling, wonderful villainy and Academy Award-nominated score, critical reception was mixed and tepid at best, accused of being too much like Snow White. This reaction prompted the studio to abandon the folklore genre altogether, not to again revisit princesses and magic (the reserve of anthropomorphic rodents and canines, arguably with the exception of the other commercial failure of 1985’s The Black Cauldron, loosely based on a Welsh myth that nearly bankrupted the company) for three decades until the 1989 release of The Little Mermaid.
catagories: ๐ฌ, ๐ง♂️, myth and monsters
Thursday 8 November 2018
รธstenfor sol og vestenfor mรฅne
Public Domain Review introduces us to the Norwegian folk tale East of the Sun and West of the Moon via the sumptuously illustrated version translated and published for English markets in 1914 by artist Danish Kay Rasmus Nielsen (*1886 – †1957).
Classified under the Aarne-Thompson system as “the search for the lost husband,” the story references universal motifs and to a degree informs “Beauty and the Beast.” A poor peasant is approached by the White Bear with a proposition: in exchange for his fair, young daughter, the bear will make the peasant wealthy. The father is persuaded and the daughter is spirited away to an enchanted castle. At night, the bear transforms back into a human to be with the young woman but under cover of darkness, she never catches his unursine visage. The woman grows homesick and the bear will allow her to visit her family, provided that she promises never to speak with her mother alone. Her mother is persistent about addressing her situation one-on-one and eventually corners her and presses her for details.
Without getting much more out of her daughter, the mother proclaims that the White Bear must really be a gruesome troll and gives her daughter three candles to investigate. Curiosity getting the better of her, she lights the candle one even after she returns to the enchanted castle to find the White Bear’s true form is that of a handsome prince. Dripping hot tallow on the sleeping prince accidentally, he bolts upright, bleary-eyed and bemoans the fate that he’s now consigned to: his wicked stepmother bargaining that the prince could not sustain the love, trust of another for a whole year and keep his true appearance from them. Now instead of being free from the curse, the prince must now journey to the stepmother’s castle, east of the Sun and west of the Moon where he is to be wed to his step-sister a troll princess. Read the rest of the story (which ends happily ever after) and learn more about the illustrator—who contributed to Fantasia (1940) and posthumously to The Little Mermaid (1989)—at Public Domain Review at the link up top.
catagories: ๐ณ๐ด, ๐, ๐, ๐ง♂️, myth and monsters
Monday 15 January 2018
dugong show
Despite rejection by the scientific and curatorial community as hoaxes, the manufactured chimera known as Fiji mermaids are stubborn objects of fascination and still prized acquisitions in serious collections, as Hyperallergic contributor Allison Meier experienced.
Marketed to the public like sea-monkeys, perhaps some of that enduring celebrity and academic interest can be sourced to that dissonance between expectation and reality. Specimens are even subjected to a rigorous battery of testing, including DNA and x-rays. What do you think? Plenty of reliquaries have sideshow status as well but we wonder if such spectacles and mascots aren’t contributing to the idea of museums as backdrops over places of scholarship and learning. Perhaps the sense of balance is most important.
catagories: ๐, ๐ง♂️, ๐ง , myth and monsters
Wednesday 27 April 2016
merkmal, mermail
The dried and liberally taxidermied carcass of a manta ray or a small shark, though pareidolia played a bigger role for these grotesque souvenirs than it did with the Fiji mermaid, carries the interesting name of Jenny Haniver.
Supposedly British marines first became acquainted with these nasty chimera when calling in Antwerp in the sixteenth century, where sailors had been crafting the keep-sakes for tourists for generations. The name stuck as a cockney-version of the French term jeune d’Anvers (the youth of Antwerp). People knew, for the most part, that this business was humbug but enjoyed letting their imaginations run wild, liking the idea of having a vanquished monster for their mantle. The antique mermaids (Meerjungfrauen) of Fiji probably themselves were the product of Japanese folklore and the legendary creature, the ningyo—which does share some correspondence with Western traditions, albeit that the ningyo was considered a delicacy that would impart great longevity to those who ate it.
catagories: ๐ง♂️, myth and monsters, Wikipedia
Wednesday 21 October 2015
the hunting of the snark
First sighted and described through second- or third-hand accounts in the third century BC, the unicorn—or monoceros was for centuries embellished with the rich lore of mythology, though this legendary creature had no truck with myths and heroes as it was believed to be very much part of the animal kingdom, though cryptic and elusive. The creature even figured, in its classic form, in the ancient iconography of India, whence the original came. Being unable to observe the shy creature in its natural habitat and unable to produce a specimen, big-fish stories circulated of the fierce and violent steed, who might only be tamed in the presence of a virgin—apparently also a a rare beast that couldn’t just be left in some forest as bait, what with dragons to be appeased.
Tuesday 24 March 2015
rex mundi or spirits in the material world
The massacre of the Cathars in Europe—particularly in their bastions of southern France is not just a historical curiosity, a footnote or something merely comparable with the ongoing plight and persecution of the Yazidi under contemporary righteous bullies and deserves much more of a mention than a few lines sandwiched between the more well-known campaigns of the Children’s Crusades and the Reconquista. What little that is known for certain about the beliefs and traditions of people grouped under the name Cathar, which means pure one but may have been applied in the pejorative sense to a whole spectrum of individuals with unorthodox tenets, is scant and suspect since it was chronicled by those who sought to exterminate heresy in all its forms. A few common accusations of the inquisitors sketches at least a faint outline of the framework of their belief—the dichotomy between the material and spiritual world, which are the handiwork of distinct gods, the former faulty, evil and covetous and the later perfection, goodness and love, and born to the dual nature of mind and body, they believed that they were duty-bound (as reflected by their manner of worship) to try to reconcile this dual-nature through a series of reincarnation until finally pure, having elevated and shed that physical form.
For decades, missionaries were sent into the Balkans, where the faith had probably originated, and into parts of southern France and Italy to try to reform the Cathars—but seeing no conversions for all their efforts and with the needed catalyst came in the form of murdered papal delegate, accompanied by Saint Dominic, and perhaps more pointedly, the tacit permission to sack Byzantium, a twenty-year long purge, called the Albigensian Crusade (named for the arch-diocese of Albi, which was in the centre of Cathar country), was launched to rid Languedoc of Cathar influences. Of course, frustrated clerics and nobles welcomed themselves to the spoils of the auto-de-fay. The story of this persecution, however, is an even greater crime than mankind generally unleashes on his own kind in that, like the destruction of Constantinople in terms of learning and culture lost to the world, the region that was home to most of the Cathars prior to the beginning of the thirteenth century, the Aude praire with the cities of Carcassonne, Narbonne, Perpignan, Nรฎmes, Toulouse and Avignon, was probably the chief contender for the most refined and advanced territory in all of medieval Europe—everything in between Ireland (with its monasteries, which were also irritants for the Church but remote enough to be left alone) and said Constantinople—which now toppled, exposed Europe to incursions from the Mongols and Ottomans.
Hints of this cultivation remain in the architectural tradition but little else, as the genocide was nearly total. Anecdotally at least, this indiscriminate slaughter was the source of the saying, paraphrased, “Kill ‘em all and let God sort them out.” Caedite eos. Novit enim Dominus qui sunt eius. Pockets endured in the most remote rural areas and Cathar communities were also incorporated into other sects of outliers, the new Protestants and the Moravian (Herrenhuter) of the German woodlands. On a lighter note, happily an international cafรฉ chain affords us the opportunity to reflect and share our experiences with gnosticism and the Albigensian Crusade by branding the avatar of the dread and almighty Abraxas on all their merchandise.
Sunday 15 March 2015
cowboys and indians: acre and ascalon or mesuline and maid marion
With the True Cross lost to the Muslims and Saladin having recaptured much of the Holy Lands, the mission that became known as the Third Crusade, embellished with a stamp of romance and authority that has grown in the imagination over the years—of course, dependent on the current geopolitical fabulists—might be the adventure that many envision when thinking of Europe’s forays into the Middle East.
There was not only the desire not to look like cowards or non-believers, there was moreover the matter that the European heads of state were rather natural enemies back at home, and it would be disastrous to dislodge any part of this precariously balanced system of oaths and allegiances without upsetting the whole order and making all lands vulnerable to attack. England and France decided to sail to the Holy Land, an expensive but seemingly prudent and expedient decision, with a large armada across the Mediterranean. Eager to arrive first in the Holy Land, the German armies took the overland route through Anatolia. Although the prospect of a huge German army sweeping through the lands of the Seljuk Turks and onto Syria and the Levant was a terrifying thought and the psychological effects far outlasted the campaign itself (much like the later-day Operation Barbarossa), the aging Emperor chose to try to ford the River Saleph (Gรถksu) on the Anatolian Peninsula instead of crossing at a perfectly good but overcrowded bridge and drowned, never reaching the Holy Land and never finding the legendary Prester John. After this untimely accident, the armies of the Holy Roman Empire splintered and many divisions returned home. England and France got off to a much later start and the passage via Sicily dragged on for some three years. Richard Lionheart pushed on ahead of the French forces and took Cyprus en route to the port city of Acre.
The city was firmly under Muslim control, but the dethroned and feckless King of Jerusalem, Guy of Lusignan, having been released from prison in Damascus, along with his morganatic wife and children, who were the legitimate heirs to the captured kingdom, and King Guy was only elevated by marriage, had a bold plan to lay siege to the city as a way of solidifying his claim. That claim became even more specious in short order when his wife, Isabella of Jerusalem and their children, died while escaping back into Syria from the lands where Saladin had exiled them to, in exchange for his release. Guy’s apparent lack of leadership ability had of course made him unpopular with his former subjects and their was another pretender, cousin Conrad of Montferrat, whom was favoured by the French contingent. Consequently, the French forces did not really care to put themselves out to help Guy of Lusignan with his prestige project. Owing to the fact that the deposed king was not favoured by the French and that they shared a common-ancestor, a certain water-sprite named Melusine (whom according to popular legend was herself the product of a union between a mortal man and the Lady of the Lake, whose Exalibur Richard had reportedly brought into battle but traded to Sicilian merchants in exchange for more ships an loyalty; a later liaison with King Raymond of Poitou had produced ten children who would come to be the lines of the noble families of Europe, but as mortals can never witness the true form of sprites, taken to becoming a mermaid on Saturdays and Raymond’s curiosity finally got the better of him and spied on her alone-time rituals, Melusine transformed into a winged dragon and left Raymond to raise his royal brood by himself), Richard was willing to champion Guy’s cause.
Taking the port of Acre and building a huge encampment outside the city walls, the Crusading army was eventually, against the odds, to capture the stronghold, due to regular supplies and reinforcements that could be safely brought by sea. Victory in the siege was a huge morale-booster for the Crusaders—even the French, who as a concession to Guy’s plan, agreed that he could live out his days as regent of Jerusalem, never mind that it was yet to be conquered, with the kingdom reverting to their candidate, Conrad of Montferrat upon his death, but was not one of particular strategic importance. In fact, as Richard Lionheart realised, now the troops were forced more or less to keep to the coast and captialise on their naval power, rather than venturing inland—where Jerusalem lie.
Disheartened and overshadowed by Richard’s showmanship, Philip II decided to return to France to tend to his own kingdom, leaving the majority of his armies at Richard’s disposal. This proved to be somewhat of a liability, however, as it was difficult to persuade the armies that forging on to Jerusalem directly would be suicidal. The army captured Jaffa, remaining there for months while abortive negotiations took place between the Crusaders and a representative of Saladin, his brother Al-Adil, as Saladin refused to meet with Richard directly for his brutal slaughter of Muslim prisoners after the fall of Acre, and deciding just where to go next. During this long period of hesitation, Saladin ordered the demolition of the port city of Ascalon, wagering it was Richard’s next goal, reasoning that without control of the coast, no attempt on Jerusalem would be made. Winning support back from the French by conceding the throne to the pretender Conrad of Montferrat—who was incidentally murdered by Assassins before the investment ceremony could take place in the single instance of the sect taking any part in Crusader politics, the Crusader army left Jaffa and re-fortified a line of abandoned outposts between Jaffa and Ascalon and began rebuilding that fortress as well. The rival contender for the crown, Guy of Lusignan, had already been sent off to the island of Cyprus to rule as a consolation prize. Battle ensued for Jerusalem, and while the Crusaders retreated at the walls of the Holy City, knowing that even if they could breach them, they could not hope to hold Jerusalem without a leader, the armies of Saladin were routed as they attempted to capture the intervening chain of Crusader bases behind the lines and both sides reached a stalemate.
Negotiations were formalised that preserved Muslim control of Jerusalem, while allowing Christian pilgrims and merchants access to the city. Although the goal was not realised, the Crusader forces held control of the seas in the region. Richard Lionheart returned to Europe to try to sort out the mess his little brother John Lackland (ever spurned for being given no significant dukedom by his father Henry II—Ireland apparently did not count) was making in England with his allegiances with the French king. Upon arrival, Richard was imprisoned under suspicion of contracting the killing of his cousin, Conrad of Montferrat (in Austria by a duke that Richard had offended for not recognising his part in the taking of Acre), beginning the intrigues that are the background of Robin Hood and setting the stage for the Fourth Crusade and a Byzantium Renaissance.