8x8

plotto: the prolific, formulaic writing of William Wallace Cook—see also  

harry lime: a Third Man tour of Vienna—see previously  

pinscreen: Claire Parker and Alexander Alexeieff animate Nikolai Gogol’s short story The Nose (1963)

anti-social media: Facebook organised a smear campaign against TikTok through a GOP shill—via Waxy 

zone: Dyson to offer noise-cancelling headphones that also creates a pocket of purified air  

the fauvist: the art of Marguerite Zorach, an early proponent of Modernism in America—via Messy Nessy Chic 

love me, feed me, don’t leave me: the strange saga of a Garfield-themed restaurant  

floriography: cryptological communication by means of floral arrangement through their symbolic and emblematic meaning

see something, spray something

 

My workplace located in the extended concrete canvas of The Meeting of the Styles (previously) international street artist collective and noticing some of the murals being given a new layer, I took a stroll around Mainz-Kastel through the train depot and some unwalkable places to document some of the expansive graffiti, especially noting those that referenced the district’s Roman connections and the neo-Classical redoubt / reduit bridgehead fortress that’s just across the tracks on the bank of the Rhein from the station.  We’ll see if we’re host to a whole new gallery of works soon.

 

7x7

the hay-bailer, that chain-maker: an assortment of highly satisfying precision industrial machines at work

mars & beyond: a 1957 Disney film narrated by Paul Frees about extraterrestrial life

pelagic zone: the highly specialised eyes of the strawberry squid (see previously)  

nymphéas: often dismissed as victim of his own popularity and over-exposure, Claude Monet’s Water Lilies series was far from a tame variation on a theme but rather a memorial to lives lost in the Great War  

aerial photo explorer: historic birds-eye-view images of England—see previously—via Things Magazine  

tired vs wired: a Twitter bot that generates aphoristic comparisons between Web 2.0 and the Web 3.0 to come, via Web Curios  

vertical parking: towering garages to remedy congestion

8x8

wild chapluns and pea beasts: the vibrant art of Maria Prymachenko, via Kottke

ill-gotten assets: those who are tracking the jets, yachts and other property of sanctioned Russian oligarchs, via Maps Mania (with more resources)

subway hands: a collection by Hannah La Follette Ryan—via Everlasting Blört
blades & brass: a 1967 short to commemorate the first indoor hockey match, held on this day in 1875  

nostromo: a sixty-second Alien remake using household items (see also)

try to keep up: five news take-aways for today

megamix: Hood Internet (previously) celebrates entering the Naughts with a 90s retrospective, via Boing Boing 

world central kitchen: chef and humanitarian José Andrés helps out in Ukraine, via Super Punch

6x6

serenade: French illustrator Gaspard portrays musicians harmonising with feathered friends in lush settings  

bon temps roulez, mes amis: New Orleans celebrates its first full-scale Marti Gras in two years  

donzig: a rather clever mashup of Donna Summers and Danzig’s cover of The Doors’ Mother  

complications: a clock face engineered to make telling the time a challenge—see also  

displaced persons: a historical pamphlet on the situation in Ukraine following World War II 

 aux in: a superlative collection of boom-boxes from Japan

guernica

Whilst on tour, displayed in the Museum of Modern Art, Pablo Picasso’s 1937 painting was vandalised on this day in 1972 by art dealer and gallerist Tony Shafrazi—ostensibly to protest the announcement of the release on his own recognisance of the junior commander responsible for the brutal 1968 Mỹ Lai massacre. Apprehended by security after spray-painting “Kill Lies All” on the canvas—a reference to the conceit in James Joyce’s Finnegan’s Wake where the phrase could be read in either direction, Shafazi whom had previously participated in other protests against the war recoiled, “Call the curator. I am an artist!” The paint was easily removed with no damage to the work. With clients including the Shah of Iran and Donald Trump, Shafazi during his subsequent career is responsible for cultivating and promoting the talents of Jean-Michel Basquiat, Jasper Johns, Roy Lichtenstein, Andy Warhol, Francis Bacon, Keith Haring and David LaChapelle.

der höllensturz

Whilst on display at the Alte Pinothek in Munich, the artwork The Fall of Damned by Peter Paul Rubens commissioned by the Duke of Pfalz-Neuberg in 1620 (for whom the great Flemish artist had already created the Greater and Lesser Last Judgment) features a jumble of rather Rubenesque figures being hurled to Hell by the Archangel Michael, the painting vandalised on this day in 1959 by a philosophy professor called Walter Menzl, who doused the canvas with wood polish stripping agent. Fortunately the painting could be saved and restored and the defacer turned himself in to the authorities, offering that he had intended to target rather The Four Apostles (that artist’s last major work) of Albrecht Dürer for the herostratic fame but decided against it for the religious implications.

8x8

squirrel monkey: imagining Wordle vintage 1985—see also  

мистецтво: Ukrainian art community despairs as invasion advances

rumble: the overlooked musical virtuosity of Link Wray  

snake island: Ukrainian soldiers stand their ground and face off a battleship defending a military outpost on Zmiinyi, the rocky islet where Achilles was entombed 

regression to the mean: a spate of controversial laws passed in the US to curtail discussions in classroom that would make straight, white cis people uncomfortable (previously)

existential crisis: dread creeps into the everyday and makes it difficult to focus on what’s vital and the ultimately inconsequential  

архітектурної: Ukrainian designers and architects fight back against Russian incursion  

acrophobia: sociable early internet word game that solicited wrong answers only plus several contemporaries

continuum

As an antidote to the frenetic pace of world events and ploys for attention monumental artist Krista Kim has staged a soothing mediation synchronised across the over ninety blaring electronic billboards of New York’s Times Square (see also) with this cleansing, reflective colour gradient. Their contribution is part of Midnight Moment—the long-running digital art exhibition that takes place nightly from 23:57 to the stroke of midnight in the city that never sleeps.

👁‍🗨

Via the always interesting Web Curios, we are quite impressed with the comprehensive skill demonstrated by a AI museum docent called Digital Curator and its ability to instantly assembly a sizeable exhibition sourced from the collections of institutions in Austria, Germany, the Czech Republic and Slovakia to explore the evolution of the depiction of an object, artefact or theme across the ages, styles and movements. Of course one can select from a range of parameters and enter one’s own key terms (however disparate and juxtaposed)—or like this gallery generated for the nonce, ask for a random curation. Try it out and be sure to send us an invitation to your showing.

long-exposure

Via the Awesomer, we are enjoying this new gallery of time-slice composite photographs from artist Fong Qi Wei (see previously) whose montage represents a sliver of night and day passing in a single, heightenedly static image. Click through for more of his work. This is a technique that I would like to try to replicate.

format cells

Though admitted one to slightly whinge at idea of spreadsheet software being used to make sign-in rosters as its highest calling, we are rather taken with the Excel art (see also) of Oleksiy Sai that provides commentary on corporate culture and office politics, noting that the hierarchy and norms while perhaps the youngest iteration of courtly etiquettes are probably the best-defined and most condemned in their breach of protocol. More at the artist’s website and Calvert Journal at the link up top.

artificial scarcity

Via Hyperalleric, we have another update from Molly White on how great Web 3.0 is going (previously) with this dispatch from a New Zealand auction house that sold material contact prints and plate glass negatives from photographer and portrait artist Charles Fredrick Goldie—whose work is problematic, considered reductive and promoting the contemporary thinking that the Māori were on the verge of extinction as a culture and colonial paternalism though also a snapshot of heritage that might be otherwise lost to time—bundled with their NTF, which fetched much higher prices than they could otherwise garner, complete with a small mallet—inviting the winning bidder to smash the plate and render the lot digital only—see also. The sales were of a self-portrait of the artist at his easel and not of historic aboriginal elders so this provocation is not such an afford to museums and the art world, though one suspects that bidding was driven by investment and looking for a place to park one’s money rather than an appreciation for art or the subject matter.

8x8

i just think they’re neat: an orchestral ballad extolling the qualities of the tuber—via Pasa Bon! 

pulsar: a mysterious, suspected white dwarf star called GLEAML-X is far more energetic than physically possible  

eurhythmics: the greatest music teacher of the twentieth century, Nadia Boulanger whose pupils included Igor Stravinsky and Quincy Jones  

nu descendant un escalier № 2: the Marcel Duchamp research portal  

great green wall: an ongoing project to grow a corridor of trees across Africa 

meta-maps: gazetteers that interpret atlases from the collection of David Rumsey 

 bande dessinée: Belgium’s new passport design pays homage to the country’s comic artists  

fire sale: a curious inventory of lots for sale with the closure of the Drury Lane theatre  

his father’s eyes: a giant New Zealand potato, Dug, is subjected to genetic-testing for proof that it is a tuber

esolang

A portmanteau of esoteric and programming language that arose in the 1990s by the hacker, coding enthusiast community as a form of artistic expression (see also), Hyperallergic contributor Daniel Temkin offers several points of entry into the conceptual interface that limns the boundaries of software art, communications and instruction that defy through definition the current obsession with non-fungibility as the direction of digital art. The pictured bitmap execution is a rendering of “Hello World” in the above mentioned Piet. Much more to explore with the various categories and movements in the link above.

corporate identity

We thoroughly enjoyed this object lesson in the importance of logos and branding via this collaborative work-space application called Kapwing taught by filtering iconic emblems through a suite of different graphical eras and movements—from Art Nouveau to Bauhaus, Psychedelic, Pop Art, Retro 80s and 3D. Check out the full matrix of iterations and various big name brands at the link above.

młoda polska

Via Calvert Journal, we are introduced to the movement that has parallels with the near contemporary Arts and Crafts in England, owing as much to independence and freedom from foreign influence as it does to synergistic aesthetic opposition against Positivism in Young Poland discovered in the country’s sanatoria, Zakopane, high altitude and remote and relatively free from the intrigues that had despoiled the cities that became a focus of these restored values. Questioning the emphasis on progress, adherents sought to bring beauty and wonder into the daily dialogue of every individual regardless of their station or circumstance and a rebuffing of industry and occupation.

as is, as was / as was, as is

Together with contemporaries Jan Dibbets amd Marinus Boezem, Amsterdammer Ger van Elk (*1941 - †2014) produced an extensive body of multidisciplinary works falling within the range of conceptual art and arte povera. Exhibiting in his native city as well as New York and Los Angeles with the Tate among other prominent modern museums upholding Van Elk’s works as the chief representatives of this movement, many pieces include the themes of reflection on and reference to art history.

scarabus

Via Weird Universe, we are (formally—as it seems familiar in a way but never knew the artist’s name) introduced to the Belgian writer and animator Gérald Frydman through his 1971 surreal vignette about a town and the bizarre rituals of its inhabitants. Frydman’s short films were jury selectees and winners of the Palme d’Or in 1976 and 1984 and can be viewed at the artist’s channel.

the electrical life of louis wain

Our gratitude to Strange Company for the introduction (well, the association of the artist to his delightful deranged felines rather) in Louis William Wain (*1860 - †1939), whose extensive body of works (one for every topic practically) are well and loving curated in the public domain and is the subject of a recent biopic, portrayed by Benedict Cumberbatch. Wain’s first publish sketch in 1886, “A Kittens’ Christmas Party” in the Illustrated London News struck the right notes and proved very popular—along with other anthropomorphic portrayals—in Victorian England and became a quite prolific artist over the next three decades and was a champion of various animal charities and human societies, including one called the Governing Council of Our Dumb Friends League—as they couldn’t speak for themselves. Though the diagnosis remains disputed, the onset of Wain’s apparent schizophrenia which saw him confined to an asylum for the remainder of his life may have been triggered by toxoplasmosis, a parasitical disease that cats can pass to their humans. Some professionals claim to be able to track Wain’s deteriorating mental state through the succession of his paintings (see also here, here and here) though that assertion and its citation in popular psychology remains controversial.  The cat model that inspired his art throughout was called Peter and originally was the pet of his wife who encouraged Wain to get his drawings in print.