We very much appreciated the introduction to surrealist photographer Arthur Tress whose portfolio was informed by the pivotal year of 1964 in politics, segregation and civil rights via his series of antique colouring-book collages paired with complementary or juxtaposing found photography, likely sourced from the same flea markets. Tress’ sense for mismatch went on to aid him in delivering his commission for the US Environmental Protection Agency to document and publicise the social pressures and injustice underpinning lax ecological stewardship. More at Collectors’ Weekly at the link up top and at the artist’s website.
Again via Waxy and vis-ร -vis yesterday’s post about ARGs, side-quests and scavenger hunts, we are directed towards this delightful interactive job listing (in the tradition of The Last Starfighter) from multimedia artist and entrepreneur Danielle Baskin to help find an ideal collaborator, also hiding floppy discs around San Francisco like an ad in the classifieds.
The always engrossing house blog of San Francisco’s DNA Lounge explores the in-grouping of confidence artistry and the seemingly irrational behaviour of working against one’s own self-interest through the authoritative study of the subject in the titular 1952 essay by social psychologist Erving Goffman, lucidly illustrating the predictable stages of those defrauded and the eventual recognition of the scam that instead of leading towards reconciliation engenders such shame and fear of ostracism rather rewards those who become more trenchant in proclaiming their beliefs. Different than other forms of humiliation, those conned can defer shattering their self-image by upholding their dishonest narrative for as long as possible at the expense of society as a whole, in turn convincing others. ‘Coolers’ are affiliates of the person orchestrating the con who tamp down self-reflection by promoting self-blame and doubt over their reference group, re-constituting their self-image with that dogma even more integral to their identity.
A minor super-villain (see also here and here) that first appeared as Spider Woman’s nemesis in a December 1980 issue of the comic, the alter-ego of Clifford F. Michaels’ formative backstory has the character adopted by a wealthy business tycoon for whom his biological father was chauffeur and valet, the benefactor responsible for rebuilding much of San Francisco after the 1906 Earthquake but was displeased with the moral turpitude and vice that emerged from the rubble.
The magnate attempted to launch a campaign to restore manners and mores to what they had been at the fin de siรจcle but failed and so sheltered himself and surrogate son from the degeneracy and idealise the past with the dress and affectations of a gentleman in 1900. Raging against progress and change with toxic nostalgia, Century tried depopulating the city in various ways in order to start fresh with society (possibly with wax figures as substitutes for actual residents) including a hypersonic weapon, flame-throwing umbrella and magic time horn that kills people under sixty-five (like high-pitched nuisance feedback that only young people can hear). Century’s plans were thwarted and the character killed off finally in 1986, along with a slew of other second tier criminals that needed to be culled from the Marvel paracosm, by vigilante assassin Scourge of the Underworld.
Having the chance to finally realise in some form a trip we'd planned two years ago but had had to defer until now—gingerly, cautiously—due to work and other prior engagements to southern Sweden and we both have given some rather serious consideration for those transit zones that are of course destinations in their own rights and ought to be spared a thought in these trying times. Passing the Elba Canal outside of Hamburg and through Schleswig-Holstein and crossed onto the island of Fehmarn via the modernist brige over the sound from the mainland, finished in 1963 and affectionately known as the Clothes Hanger (Kleiderbรผgel) because of its distinctive girders and trusses. For an easy morning get away to the ferry to Denmark from Puttgarden, we chose a campsite at the village of Strukkamp, populated by fearless bunnies abd gulls but unable yet to achieve escape velocity just yet from the dreary and driven rain, we were mostly confined to our tent. We crossed the island, storied itself and one beach music festival in September 1970 that was the venue for Jimi Hendrix‘ last concert performance and stopped in the eponymous insular capital, called locally Burg. Arriving at the seaport, we realised it was our second time only seeing Denmark from the expressway and pledge to make a proper visit to all of these places one day soon. Crossing on the monumental รresundsbroen / รresundbrรผcke (previously) bypassing Copenhagen and likewise skirting Malmรถ upon arrival in Sweden.
Among many other anniversaries of the great and good, on this day, as our faithful chronicler informs, in 1937, the Golden Gate Bridge linking the San Francisco Bay with the Pacific Ocean, was opened to pedestrian traffic—the longest and tallest suspension bridge in the world at the time.
First conceived in 1916, ambitious engineer and pontifex Joseph Baermann Strauss (1870 – 1938) answered the call having proposed a similar railroad bridge to cross the Bering Strait and connect Alaska with Russia and oversaw the construction of some four hundred draw bridges in a major infrastructure overhaul, and in collaboration (which ended unfortunately acrimoniously) with Charles Alton Ellis, completed it in four years (see also). During the week-long opening ceremony, more than two hundred thousand visitors crossed the mile-long span or foot or on roller skates. The particular shade of vermilion is called international orange, chosen to compliment the bridge’s natural surroundings and improve its visibility in fog, and is a unique hue differing from aerospace or safety orange.
With a touch of The Music Man / Marge vs the Monorail energy behind his pitch that rightly nonetheless recognised that the newly built suspension bridge was perfectly designed to host a thrill ride—which also piqued the interest of a few city planners, ahead of the 1939 Golden Gate International Exposition engineer Joseph Bazzeghin proposed impressing visiting crowds with a roller coaster traveling up and down the bundled cables as a centrepiece of the fair. Despite some enthusiasm, the ride was never built—mainly due to safety concerns and distracting drivers and the likely impossibility to construct such a roller coaster but I am sure it could be done on a dare. The artificial Treasure Island was instead built in the bay as a showcase venue and originally planned to be a municipal airport afterwards but was turned into a naval station and marina. More to explore from Weird Universe at the link above.
Via Super Punch, we are directed to a joyful and pure interview a San Francisco Chronicler reporter conducted with a gentleman who bought a tiny, retired Japanese fire truck (see also) during the pandemic at auction and had it shipped to the city—where it has become a welcome sight on the streets, like an exchange student. Bringing the fully-functional vehicle called Kiri overseas seems like it would have presented several expensive logistical hurdles, but the adoptive owner assures that the intimidating factors dissolve once one actually embarks on such an acquisition and would encourage others to do the same.
In the aftermath of the April 1906 earthquake and subsequent fires that ravaged San Francisco over five thousand refugee shelters were constructed to replace the tent cities that emerged in Golden Gate Park and other areas to prevent a follow-on public health crisis. Most of the sturdier habitations—cottages (it reminds us of this image) for which tenants paid a $2 per month rent—have been demolished over the ensuing century but at least a few dozen remain, conserved by a following of dedicated residents. More from JWZ and the San Francisco Chronicle at the link above.
Considered lost for decades only for a copy to re-emerge in 1996 in a film archive in Paris, the horror movie by Leslie Stevens with cinematography by Conrad Hall (Butch Cassidy and the Sundance Kid, Cool Hand Luke, American Beauty), starring William Shatner and Milos Milos (*1941 – †1966, the titular incubus and in life the lover of the estranged wife of Mickey Rooney and died in a murder-suicide pact), had its debut on this day in 1966.
Months before Shatner would begin his work on a television series filled with other constructed languages including Klingon which has also become a fully-formed and informed language in its own right, this cinematic experiment was only the second wherein all dialogue was in Esperanto. Though dubbed versions were prohibited, the creator’s use of the auxiliary language was not to make a single cut for all international markets but rather to convey an atmosphere of other-worldliness—Esperanto speakers disappointed with representation of the language by the actors’ poor pronunciation and the script’s grammatical failings. The setting is a pilgrimage destination, a village called Nomen Tuum (“your name”) with an enchanted well that can heal and enhance one’s looks—attracting a rather vain and corrupt patronage that crowds out those legitimately ill. In turn demons are drawn to pander to those who would treat this miraculous place as a beauty parlour and recruit them for the side of darkness. First shown at the San Francisco Film Festival and screened to a group including those above Esperanto enthusiasts and the scandal of Milos prior to release, the only willing distributor was in France, which premiered the film in November. Watch the whole film here or see a clip below.
Via one of our favourite newsletters, Kottke, we come to discover the extensive and ethnographic photorealistic art of Robert Bechtle (*1932 – †2020) in memoriam with the reports of his recent passing.
Indistinguishable from a candid, house-proud family photograph from a distance, this representative triptych ’61 Pontiac (1968-1969) captures his style and message, life at the pace of point-and-click documentation but fastidiously rendered by brushstrokes. The painterly quality to this deadpan portrayal is unsettling, rattling the viewer until one can appreciate the beauty underlying the freeze-frame of the moment. Almost the entire portfolio of this San Francisco Bay Area painter features cars though human subjects are the exception. Much more to explore at the link above.
Via Laughing Squid, here is more drone footage of the fiery orange skies—which many automated lenses and filters try to correct for to the frustration of those trying to urgently document and communicate the apocalypse—over San Francsico in a short clip set to the musical accompaniment of Hans Zimmer’s soundscape of Blade Runner: 2049. I wonder for how many more iterations that that dystopian sequel will be advanced—2099… Many more frightening images at the link up top, juxtaposed with this Los Angeles montage from earlier this summer.
Sharing the anniversary of its release along with many other events of great pith and substance including the sage 1869 proclamation of Emperor Norton I of the United States and Protector of Mรฉxico that dissolved and abolished political parties under penalty of imprisonment, as our faithful chronicler records, the first IBM Personal Computer (PC) was presented to the public on this day in 1981—its open source architecture (see also) and off-the-shelf elements attracted third-parties to create software and peripherals that were otherwise PC-compatible, thus creating a market and speeding adoption of office and home computing.
Founded on the principle of religious scepticism and gravitating towards the devil in the sense of adversary and ideological foil to theism, the Church of Satan was constituted in the Black House of California Street, San Francisco on this day, Walpurgisnacht, by musician, actor and occultist Anton Szandor LaVey (*1930 – †1997) in 1966. Explicitly not espousing a belief in the Christian characterisation of the Great Dissembler or in fact any other deity for that matter, the orientation’s high priest saw the value in and reduplicated the organisation and the hierarchy, though as a counterpoint to the control and validation that the Abrahamic faiths demanded and by extension the share of evangelical prosperity that they tout. The Church also recognised the intrinsic value and co-opted some symbolism and ritualistic elements as cathartic and therapeutic—so called lesser magic with the possibility of greater, supernatural magic that was outside the limits of human comprehension yet only ahead of scientific understanding. Learn more about the Church’s history and tenants at the link to their website above.
Organised by the International Society for Krishna Consciousness as a fund-raising event for a local temple and as a promotional event for the movement’s founder and chief evangelist, Bhaktivedฤnta Swฤmi, the titular concert and service was hosted on this day in 1967 in San Francisco's Avalon Ballroom (a familiar venue). The evening included performances by Moby Grape, Big Brother and theHolding Company with Janis Joplin, and the Grateful Dead with speakers Owsley "Bear" Stanley, Timothy Leary and Allen Ginsburg, leading the audience in the Maha Mantra chant.
Under the terms of surrender in the 1868 Treat of Fort Laramie negotiated between the United States and the Arapaho Nation and the Lakota peoples all federal holdings declared surplus were to revert to Native Americans (see also) and the prison island of Alcatraz in San Francisco Bay closed since 1963 should have qualified for repatriation. And while there was significant advocacy and agitation in the interim, issues of social justice and representation came to a crescendo when on this day in 1969, a group of eighty-nine protestors embarked for what would become a nineteen-month, peaceful occupation of the island—spurred to action in part due to the loss of a community centre to a fire a month earlier. Activists hoped to establish a residential institute of Native American studies, a museum, an ecology centre and a spiritual retreat. Despite the tenacity of leaders like Mark Martinez, Garfield Spotted Elk, Adam Fortunate Eagle and Kay Many Horse and celebrity support from Jane Fonda, Marlon Brando and Credence Clearwater Revival, the occupiers were ultimately removed, power-cuts and the blockade by the coast guard ultimately making their situation untenable. Bureau of Indian Affairs employee and amateur film-maker Doris Purdy captured some of the scenes early during the event. The island and its historical buildings subsequently were designated as part of the Golden Gate Recreational Area and managed by the National Park Service, though groups of protesters return annually to commemorate Indigenous Peoples’ Day and Unthanksgiving.