beflix (10. 736)

Via Waxy, we a directed to this thoroughgoing study of early computer art of the 1950s and 1960s by Amy Goodchild, beginning with the moment of inception with Babbage and Lovelace speculating on the creative potential of their difference engine to the realisation of mathematician Ben Laposky using sine functions and oscilloscopy to produce “electrical compositions” and one of the earliest interactive applications called MusiColor that generated patterns and light mapped from audio inputs. There are profiles of the pioneers in this field with images and video presentations of various pivotal works and installations as well as the above programming language for computer animation—from Bell Flicks—made for educational and engineering applications 1970 to explore, which are really remarkable considering the time and labour put into each project and makes one reflect how pace and patience temper the creative process in an age of instant iteration.