Tuesday, 30 June 2020

out on the wiley, windy moors

Initially inspired to create her rhapsodic tone poem at age eighteen after viewing a decade old made-for-television adaptation of the author Emily Brontë’s sole novel and then compelled to refine her vision for the song and choreography after reading Wuthering Heights and learning that she, Kate Bush (see previously), and Brontë shared the same birthday (today 1818/1958), the eponymous song about the requited but unconsummated love affair between Catherine Earnshaw and the tortured Heathcliff, whom Earnshaw returns to haunt in the second part of the novel was recorded in the summer of 1977 but it release was delayed until the end of January 1978. Despite this postponement and calculated competition, however, it rose quickly in the charts (Bush was the first female performer in the UK to reach this ranking with a self-written piece) and became an instant—though sometimes divisive—cult classic. A subsequent music video has inspired fans to hold annually “The Most Wuthering Heights Day Ever” events (usually held in mid-July) across the globe with crowds cos-playing as Bush the artist in a gauzy red dress and perform the dance moves from the video in unison.