Protests and boycotts are always of a selective nature. Parallel to the threats by some European countries to sit-out the Euro 2012 final matches to be held in the Ukraine over the host’s treatment of its former prime-minister (apparently having had selectively made an example out of her perceived violation of public-trust) and even propose the games be held in another venue, like Germany or Poland, holding the Eurovision Song Contest in Azerbaijan was not without controversy.
Just as it is a valid question whether a soccer tournament ought to be treated as a political football or is a matter for personal and private convictions or international attention on other issues is not out-competed by the competition, many groups wondered if Baku was the right host with a poor record of human rights, including allegations of a rash of attacks against journalists that went uninvestigated and the forced removal of residents from the location where the auditorium was built for the show. Confrontations were subdued ahead of the gala, whose tradition began nearly sixty years ago as a way to test cross-compatibilities of different national broadcasters and native systems across Europe in a live event. And although the show is meant to be apolitical and some regard the whole affair as something square and un-hip (though probably very much the opposite), it still relevant and demonstrates compatibilities and cultural interpretations (which are sometimes translated with considerable license) with a review of distinct ballads and reinventions of pop songs. Though protests and boycotts did not materialize, the producers made me happy (in addition to fun performances by the
Babushkas, the
Iranian Reindeer, a reprise of the
Irish twins and others) because they did not avoid the subject of human-rights and justice in televised profiles of the host country and presented it as a challenge. Because of the spirit of the Eurovision, I think, unlike with other grand extravaganzas, Azerbaijan won’t be forgotten with only the fancy band shell to remind them once how they were once the focus of a critical and concerned eye.
